Mars’s seven pentacles move between harm and preservation: illness treated by contact, hostility stirred, victory promised, demons subdued and weapons returned against an attacker. The sequence ends with hail and tempest, around scripture’s damaged vines and fig trees. [1]
Mathers 1889
Explore the set
Source reproduction The 1st Pentacle of Mars: eight mystical characters enclosed by four angelic names. Mathers 1889, Plate V, figure 25; notice on p. 63.
Invocation of spirits of Mars, especially its written angelic company.
Source reproduction The 2nd Pentacle of Mars: He, divine names and John 1:4 within and around a hexagram. Mathers 1889, Plate VI, figure 26; notice on p. 63.
The Key’s healing claim, conditional on application to the afflicted part.
Source reproduction The 3rd Pentacle of Mars: central Vau and the letters of Eloah and Shaddai, enclosed by Psalm 77:13. Mathers 1889, Plate VI, figure 27; notice on p. 63.
Stirring conflict, resisting enemies and frightening rebellious spirits.
Source reproduction The 4th Pentacle of Mars: AGLA at a cross’s centre, with IHVH, El and Psalm 110:5. Mathers 1889, Plate VI, figure 28; notice on p. 63 and note on p. 64.
Source reproduction The 5th Pentacle of Mars: a scorpion among four HVL groups, within Psalm 91:13’s dangerous-beast verse. Mathers 1889, Plate VI, figure 29; notice on p. 64.
Obedience of demons compelled by the figure’s sight and presence.
Source reproduction The 6th Pentacle of Mars: Malachim protection words surround eight rays, within Psalm 37:15’s returning-weapon verse. Mathers 1889, Plate VII, figure 30; notice on p. 64.
Protection in combat and the return of an attacker’s weapons against their owner.
Source reproduction The 7th Pentacle of Mars: El and Yiai within an eight-pointed construction bearing Hebrew and Celestial characters. Mathers 1889, Plate VII, figure 31; notice on p. 64.
Immediate hail and tempest upon uncovering within the circle and invoking the written demons.
The injured body and the battlefield
The first Mars pentacle calls the planetary spirits, with Madimiel, Bartzachiah, Eschiel and Ithuriel around its wheel. The next turns to disease: the Key credits application to the afflicted part with success against illness. Its six-pointed star carries IHShVH, a name Mathers associates with Joshua or Jesus, inside John’s words about life and light. [1]
The third excites war, wrath, discord and hostility, while also resisting enemies and terrifying rebellious spirits. Vau stands among Eloah and Shaddai within nested triangles. The fourth concentrates on victory in war; AGLA fills its centre, inside the Psalm’s scene of kings struck down in wrath. [1]
A scorpion and returning weapons
The fifth is a figure on virgin parchment or paper whose sight compels demonic obedience. Its drawn scorpion carries HVL on four sides; the surrounding verse speaks of treading upon lion, adder and dragon. The sixth gives a different protection: when the bearer is attacked and fights, the aggressor’s weapons turn against their owner. [1]
The sixth’s ray-end lettering is Malachim, the writing of angels, read by Mathers as Elohim’s covering or protection. Psalm 37 surrounds it with the returning sword and broken bow. In the biblical passage, those weapons had been drawn against the poor, needy and upright. [1][6]
Hail, fire and the surviving prescription
The seventh joins El and Yiai within an eight-pointed star and surrounds them with Hebrew and Celestial spirit-name characters. Its notice prescribes virgin parchment or paper, bat’s blood and the day and hour of Mars, followed by uncovering within the circle during invocation. Immediate hail and tempest are the promised result. [1]
Psalm 105 supplies hail instead of rain, flaming fire and ruined vines and fig trees, within an account of signs in Egypt. This destructive storm closes a family that has also promised protection from injury. [1][7]
Iron and red are Mars’s general metal and paper colour in chapter XVIII. The fifth and seventh notices give their own paper prescriptions. Mathers’s preface also warns against blood, although the seventh’s bat’s-blood requirement remains in his printed sequence. [1]
S. L. MacGregor Mathers, 1889; printed edition, including editorial restoration of Hebrew characters. Book I XVIII, printed pp. 63–64; figures 25–31, Plates V–VII (PDF pp. 76, 79, 83); general materials/timing pp. 56–57; Preface p. vi
S. L. MacGregor Mathers, The Kabbalah Unveiled, 1887; primary introduction reproduced by the Internet Sacred Text Archive. Introduction §§65, 67; printed p. 32